Amy Kaiser

Director of the St. Louis Symphony Chorus since 1995, Amy Kaiser is one of the country’s leading choral directors. She has conducted the St. Louis Symphony Orchestra and Chorus in Handel’s “Messiah”, Schubert’s “Mass in E flat”, Vivaldi’s “Gloria” and sacred works by Haydn and Mozart. Guest conductor for the Berkshire Choral Festival in Massachusetts, Santa Fe and at Canterbury Cathedral and Music Director of the Dessoff Choirs in New York for 12 seasons, she led many performances of major works at Lincoln Center. Other conducting engagements include Chicago’s Grant Park Music Festival, Peter Schickele’s PDQ Bach with the New Jersey Symphony, Berkshire Opera, Opera Ensemble of New York and more than fifty performances with the Metropolitan Opera Guild. Principal Conductor of the New York Chamber Symphony’s School Concert Series for seven seasons, Kaiser also led Jewish Opera at the Y and many programs for the 92nd Street Y’s acclaimed Schubertiade. She has prepared choruses for the New York Philharmonic, Ravinia Festival, Mostly Mozart Festival and Opera Orchestra of New York. Kaiser is a regular pre-concert speaker for the St. Louis Symphony and has presented the Symphony Lecture Series, promoting SLSO concerts, for the past fifteen years. Her popular classes for Opera Theatre of St. Louis, Illuminating Opera, are being broadcast this season on Classic 107.3. A former faculty member at Manhattan School of Music and The Mannes College of Music in New York, she was a Fulbright Fellow at Oxford University and holds a degree in musicology from Columbia University. A graduate of Smith College, she was awarded the Smith College Medal for outstanding professional achievement. She was honored with the St. Louis Visionary Award for Successful Working Artist in 2015.

Kirven and Antonio Douthit-Boyd

Kirven Douthit-Boyd earned his M.F.A. in dance from Hollins University in Roanoke, Virginia. His dance training began in 1998 at the Boston Arts Academy and as a scholarship student at Boston Youth Moves, The Boston Conservatory and The Ailey School. He went on to perform with Battleworks Dance Company, Ailey II and the Alvin Ailey American Dance Theater from 2004-2015. In 2016, he joined Ron K. Brown/EVIDENCE, A Dance Company as a guest artist. He has choreographed works for The Ailey School, The Juilliard School, Webster University, Dallas Black Dance Theater, The Big Muddy Dance Company and Ailey II. He has also staged works by Alvin Ailey, Judith Jamison and Robert Battle on professional and pre-professional companies in Japan and St. Louis. He is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary–5 of the ABT® National Training Curriculum. In 2015, Kirven Douthit-Boyd relocated to St Louis to become the Co-Artistic Director of Dance at the Center of Creative Arts - COCA. In 2015, Antonio Douthit-Boyd was named Co-Artistic Director of Dance of Center of Creative Arts - COCA, where he began his dance training at age 16 under the direction of Lee Nolting. Douthit-Boyd returned to COCA after 12 years with the Alvin Ailey American Dance Theater. He also trained at the Alexandra School of Ballet the North Carolina School of the Arts, the Joffrey Ballet School, San Francisco Ballet and the Dance Theatre of Harlem School. Douthit-Boyd became a member of Dance Theatre of Harlem in 1999 and appeared in featured roles in the ballets “South African Suite”, “Dougla”, “Concerto in F”, “Return” and Dwight Rhoden’s “Twist”. He was promoted to soloist in 2003. He also performed with Les Grands Ballets Canadiens de Montréal. He is an ABT® Certified Teacher, who has successfully completed the ABT® Teacher Training Intensive in Pre-Primary–6/7 and Partnering of the ABT® National Training Curriculum. He is also on faculty at Washington University in St. Louis, teaching modern dance in the collaborative MFA program between the University and COCA.

Brian Owens

Music and love define the artistry of singer, songwriter and dedicated community activist Brian Owens. These qualities radiate from all of his work, including his duet with five time Grammy-winning and legendary vocalist Michael McDonald on “Soul of Ferguson” and the heartfelt interpretation of Sam Cooke's A Change Is Gonna Come, which Owens filmed and recorded with his father, Thomas Owens. Their powerful performance ignited the internet and has received more than 100 million views on Facebook and Owens' YouTube channel. Owens is the founder and Executive Director of L.I.F.E. Arts Inc (Leadership, Innovation, Faith and Entrepreneurship), a 501(c)(3) nonprofit that provides artistic resources, opportunities, mentoring and positive experiences to help students in under-served communities throughout Ferguson and the St. Louis metropolitan area to access consistent and localized programs, experiences and infrastructure. Additionally, Owens serves as the Community Music Artist in Residence with the E. Desmond Lee Fine Arts Collaborative at the University of Missouri St. Louis.

http://BrianOwensSoul.com

Lynne and Jim Turley

Jim and Lynne Turley have been long-time supporters of a wide variety of organizations —both with their time and with financial resources. Lynne is a native St. Louisan who loves theatre, particularly musical theatre. A graduate of Drake University, Lynne taught high school English and drama before retiring to be a fulltime homemaker, mom and community volunteer. Jim, also born and raised in St. Louis, traces his love of musical theatre to his early memories of being in his grandfather’s seats at The Muny. Jim is the retired Chairman and Chief Executive Officer of Ernst & Young (EY), a global professional services firm comprised of approximately 270,000 people in over 150 countries. He led the firm from 2001 until his retirement in June 2013. For the last 30 years, Jim and Lynne have been enthusiastic supporters of STAGES St. Louis, doing everything from housing visiting actors in their home in the early days to co-chairing its annual fundraiser Applause. Egged on by his wife, Jim has supported many arts organizations including with board service at The Muny where he leads the board’s $100 million Second Century Campaign and is the Vice Chair. When they are not supporting theatre, their focus is on youth, character and education with organizations including the Assistance League of St. Louis and Boy Scouts of America. Jim and Lynne are also doting grandparents.

Antionette Carroll

Antionette Carroll is the Founder, President and CEO of Creative Reaction Lab, a nonprofit educating and deploying youth to challenge racial and health inequities impacting Black and Latinx populations. Within this role, Antionette has pioneered an award-winning form of creative problem solving called Equity-Centered Community Design (named a Fast Company World Changing Idea Finalist). Through this capacity, Antionette has received several recognitions and awards including being named an ADL and Aspen Institute Civil Society Fellow, Roddenberry Fellow, Echoing Green Global Fellow, TED Fellow, ADCOLOR Innovator, SXSW Community Service Honoree, Camelback Ventures Fellow, 4.0 Schools Tiny Fellow, St. Louis Visionary Award Honoree for Community Impact, and Essence Magazine Woke 100. Within her almost 10 years of volunteer leadership, Antionette was named the Founding Chair of the Diversity and Inclusion Task Force of AIGA: The Professional Association of Design. She’s a former AIGA National Board Director and Chair Emerita of the Task Force. During her tenure, she founded and launched several initiatives, including the Design Census Program with Google, Racial Justice by Design Initiative, Diversity and Inclusion Residency, and national Design for Inclusivity Summit with Microsoft. Additionally, she’s the co-founder of the Design + Diversity Conference and Fellowship and an active member of Adobe's Design Circle. Antionette also is an international speaker and facilitator, previously speaking at Google, TED, Capital One, Harvard, Stanford University, Microsoft, NASA, TEDxHerndon and TEDxGatewayArch, AIGA National Conference, The Ohio State University, and more.

http://Antionettecarroll.design

"Such Sweet Thunder" presented by St. Louis Shakespeare Festival, Nine PBS, Jazz St. Louis and The Big Muddy Dance Company

In October 2019, four major St. Louis cultural institutions came together for three nights to present an unprecedented outdoor stage production of Duke Ellington’s jazz suite, “Such Sweet Thunder”. The collaboration between Shakespeare Festival St. Louis, The Big Muddy Dance Company, Jazz St. Louis and the Nine Network of Public Media brought to life the twelve-part composition in a multidisciplinary performance charting a tempestuous love story set in the 1950s. Dexandro Montalvo created original choreography and Bruce Longworth, acclaimed director of Shakespeare in the Park (“Winter’s Tale”, “Henry V”), adapted the script and directed the company of two actors, 16 dancers and a 15-piece band playing Ellington’s timeless score. The production starred Founder and Producing Director of the Black Rep, Ron Himes, and Webster Conservatory professor, Rayme Cornell. Free performances took place in the Public Media Commons in Grand Center attracting 1,000 audience members in total.

James McKay Jr.

The University of Rochester, Eastman School of Music graduate, can attest to the transformative impact music maintains in his life. As the youngest of two children born to a modest working-class family in Normandy, Missouri, McKay is a 2017 Teacher of the Year Honoree for Jennings School District where he is the Director of Orchestras. As an African American, orchestral educator and musician, James is committed to exposing diverse audiences to classical music. By providing budding young musicians in under-served communities with access to affordable quality music instruction and opportunities to attend performances and receive master classes with prominent artists. McKay has dedicated his life to creating doors of opportunities for youth through the founding of Gateway Music Outreach and his occupation as a certified K-12 Instrumental Music Educator for over two decades in various school districts in the St. Louis metropolitan area. James has served as Director of Cameron Youth Chamber Orchestra, string camp facilitator New City School and double bass teacher at Community Music School of Webster University. Additionally, he is a classical and gospel music composer and arranger. McKay is a champion for collaboration; he is a member of the following organizations St. Louis Youth Symphony Task Force, American String Teachers Association and the Missouri Music Educators Association.

John Nickel

Throughout his career Nickel has appreciated and supported the arts. He is a 1975 graduate of Webster University’s Conservatory of Theatre Arts with a major in lighting design. Live theater and live event production are his passion. In 2002, he became an owner of what is today known as Switch (formerly Busch Creative Services), a brand engagement and events agency. As Co-President and Co-Owner, Nickel oversees business development, project management and all in-house production services. In 2002, Nickel and Switch started working with the Arts and Education Council, with Nickel as the Technical Producer of the St. Louis Arts Awards. 2021 is the 20-year anniversary of his and Switch's involvement and support of the annual awards program. Nickel has served on the boards of several arts organizations including Young Audiences/Springboard for Learning, The Sheldon and St. Louis Shakespeare Festival. Switch has made significant in-kind contributions to the arts organizations in St. Louis. Switch has supported the St. Louis Shakespeare Festival for the last 19 years, by providing lighting, audio and scenery. Switch has supported several productions and events at Webster University's Conservatory of Theater Arts, for several years supported the Variety Club's theatrical events and numerous others, including the St. Louis High School Musical Awards.